The Luxli Viola Multi-Color LED Light is quite possibly the coolest thing I’ve seen in awhile. Bluetooth all the things!
Here’s a fun little project for anyone who would like to be a little more visible at night when commuting on a bike, skateboard or personal electrical vehicle. With the help of my friend Landon, we put together a super affordable, DIY LED Backpack kit that can be applied to just about any backpack that you may already own. Please note, you’ll need some basic tools and electrical skills to put something like this together.
I chose to use my classic Lowepro 650 camera backpack. It is extremely comfortable to wear with plenty of storage room for camera gear, a laptop and other miscellaneous items. It’s also my favorite pack to wear when cycling or skating because it feels very balanced across my back.
For the LED lights, we went with these super bright COB LED lights that measure about 7″ x 1″. They are extremely lightweight, waterproof and have a clean design that doesn’t scream cheap LED’s. They are also aggressively bright at full power but can be tamed using a dimmer which I’ll get to in a moment. To attach the lights to the bag, I used standard adhesive velcro strips along with fabric glue to reinforce the bond.
We used four 18650 Li-Ion cells to power the lights which might seem like overkill, but provide some serious long lasting work life. Additionally, I’m using the Nitecore i2 smart charger which is an affordable but high quality charger that’s compatible with a wide array of Li-Ion bateries.
The batteries are connected in series using a generic 18650 cell case to output about 16.8v. That may seem like too many volts to push to the 12v lights which is why I opted to use a dimmer control with a 12v regulator.
The best part of this build is the ability to control the lights wirelessly using a small RF controller. Since it’s an RF signal, it’s able to pass through the bag easily and has a long controlling distance. Other features include custom brightness levels, dynamic modes and speed adjustment for dynamic modes.
I just ordered another set of lights but this time with red LED’s which I’ll wire to the back of the bag as a rear stoplight. It’s really easy to get creative by combining a wide variety of backpacks and COB LED colors while also remaining safe and visible when riding at night. If you have any questions or suggestions for this build, hit me in the comments below.
With my recent move to downtown Ann Arbor, I’ve been cycling much more which means I need to be more visible to vehicles and pedestrians. My solution was the Torch T2 Bike Helmet with integrated LED lights. Check out the video above for my first impressions and be sure to hit the comments if you have any questions.
Last week Arbor Day Pictures aka Nancy Mitchell, Hannah Mitchell and myself participated in YPSI24, a 24 hour shootout competition where we won second place amongst 40+ entries. It was an awesome experience to witness so many filmmakers of all levels express themselves using a variety of video techniques within experimental and narrative storytelling.
However, with a 24 hour time limit and a 3 person crew including myself (2 of whom were acting on camera), it was vital that I assemble an equipment package that worked for our story. Too much gear and I’d risk a lot of unncessary setup and breakdown time. Too little gear and I’d lose the visual storytelling that was essential for characterization. We were super honored to win an award and it may not have happened without our 24 Hour Shootout Survival Kit. So here’s how we did it.
A few weeks before the shoot, we bounced around some preliminary ideas, some that either proved too difficult or too time consuming. Finally, the night before YPSI24, Nancy assembled all of our initial ideas into a creepy story about supernatural revenge. Next, I fleshed out the summary into a rough, 5 page script which would be our blueprint for the day. We all agreed that the concept would remain loose in order to incorporate the YPSI24 “ingredients” that we would be given. Creating a script as a guide for our shotlist/schedule was definitely a critical part of our planning.
For Camera A support I went with the heavy duty yet light and portable 8.5lb ProAm Heavy Duty Tripod Legs which are typically built for jib cranes but work great with a Manfrotto fluid head and Konova K3 slider as they can hold up to 80 lbs. It even has a super convenient mid level spreader for added stability and adjustable rubber or spiked feet for all kinds of terrain. At $120 shipped, the ProAm Heavy Duty Tripod Legs are an exceptional deal for the quality.
Lighting was very minimal as we were mostly daylight dependent. For the ending interior shots we used a pair of budget friendly ePhoto 600 CN600HS LED Lights with Kayo Maxtar V-Mount Li-Ion Batteries. The Kayo Maxtar is a new addition to my kit and one of the best V-Mount battery options out right now. Fully charged, the Kayo can power these lights for up to 6 hours straight. Very impressive!
To keep our sound kit as light and simple as possible, I went with the Zoom H1, Rode Micro Boompole, Rode VideoMic Pro, Aspen HQ-S Lav Mic, P&C Handgrip and an audio extension cable. Our rule was that whoever wasn’t on camera would be the Sound Recordist. With some easy to remember sound recording basics and having a kit this simple ensured that no one would have to be a pro to capture quality sound.
THE CAMERA A KIT
Having some early success with the latest Panasonic V-Log color profile, I decided to use my workhorse GH4 mounted with a Metabones Canon FD Speedbooster and classic Canon FD glass – 20mm, 28mm, 50mm and 35-105mm. This combination would create a vintage, lived-in look that I thought would be perfect for a horror film.
I kitted out my GH4 shoulder rig with a Varavon Armor Cage, Aputure V-Screen field monitor, Fotga follow focus, Ikan Tilta V-Mount Plate and a Kayo Maxtar BP-GL175 Li-Ion Battery. With the Kayo, I was able to power the Aputure monitor and use it as a counterweight for the GH4. There’s also a convenient USB port located on the side which kept my iPhone charged at every location.
THE CAMERA B KIT
Our story included many scenes of walking through the woods so I wanted to incorporate gimbal tracking shots without having to spend any time balancing or breaking down the Camera A Kit. For this situation I went with the Ikan Fly-X3 Gimbal paired with the Xiaomi Yi Action Camera aka the $80 Chinese GoPro. Since these walking shots would include both Hannah and Nancy in the shot, it would leave me as the Sound Recordist. The Ikan Fly-X3 doesn’t have a 1/4-20 thread so I rigged a Joby GorillaPod to the handle and fitted it with a Rode VideoMic, Zoom H1, an audio extension cable and a pair of lightweight Auvio Headphones. With the shotgun mic I was then able to capture realtime location sound while also performing stable gimbal shots while walking backwards through the woods. Trust me, it’s not as easy as it sounds.
Another interesting rig we built was an Indy Mogul style DIY 3rd person POV action camera backpack. Designed with cheap PVC pipe from Home Depot, we mounted an Oben Mini Ballhead and the Xiaomi Yi on the rig to create the over the shoulder look during the “search” scenes in the woods. With the Xiamoi’s Wi-Fi app, I would be able to monitor the shots while giving direction to Nancy. We wanted to present an unusual sense of vertigo during these scenes since her character would become more desperate as day turned to night.
THE CAMERA C KIT
For a 24 Hour Shootout, it would be tempting to use the DJI Phantom 3 Professional as a shortcut for production value but we didn’t want to go that route. Our initial thought was that an aerial would take up valuable time that we could put towards characterization. Also, because of the hazardous weather conditions on the shoot day, flying a drone would prove too risky. However, nature was on our side when we had a small 10 minute window of clear weather. It was a tricky manuever as I had to fly through a 10 foot clearing in the trees towards a height that revealed just enough of the forest without showing any residential homes or highways. I fitted the Phantom 3 with a Polar Pro Polarizer Filter to prevent glare off the water and was able to get the shot in just two takes. However, flying the drone back to home point was nerve racking as I clipped a few small branches due to the wind and unstable GPS lock. Luckily I had Nancy and Hannah as my spotters on each side of the clearing to prevent the Phantom from going down into the water. The shot was definitely worth it as it created a vast sense of exploration for the Alice character, establishing the forest as a kind of supernatural playground.
THE POST PRODUCTION
We finished our last shot at about 11:30pm and after ingesting all the footage in Adobe Premiere, post production began at 12 midnight. By this time, I was exhausted but not completely tapped out. I knew that once I got past the hump of assembly I would go into creative mode, driven by pure adrenaline. With the help of a large iced coffee I finished assembly by 2:00am and edited straight until 9:00am. The GH4 V-Log setting was especially helpful in color correction for each clip. After dropping in the Panasonic Varicam 35 LUT, I simply adjusted exposure within Lumetri Color and did my best to match the Xiaomi Yi and Phantom 3 footage.
As the sun started to rise and the 10:00am delivery deadline looming, I did a few last touches and exported the file onto a flash drive. Since the YSPI24 rendevouz was a half hour away, I wasn’t able to do a final preview. At this point, I was completely delirious and just grateful that we completed our film.
YPSI24 was an insanely inspiring good time. From the cordial and energizing meetup with our fellow filmmakers to the hack-a-thon like shooting experience to the final screening at the 500 seat venue, YPSI24 reminded me of why I got into video in the first place. It wasn’t to win awards or make commercials. It was to tell a story using a language that didn’t require an army of people pontificating about the laws of Cinema. It’s a relief to know that the DIY spirit that’s shaped both my personal and professional life has never left me. Hashtag #setlife is not enough. Old traditions and new technologies are not enough. It’s the communal experience of being vulnerable with people that I care about which matters most. Check out our 2015 YPSI24 short “Always Alice” below and remember to always stay inspired!
Always Alice (2015 YPSI24)
Back in October, I had the chance to preview the Ztylus smartphone case with 4-in-1 Revolver Lens as well as a prototype of their LED Ring Light. I finally received the final retails versions and I must say they look and feel way better than the prototypes at PhotoPlus.
The case provides full body aluminum protection and includes an integrated foldable aluminum kickstand to allow you to position your phone in a variety of positions for optimal viewing.
The kickstand can be removed to attach a revolving 4-1 lens accessory that includes a polarizer lens, wide angle lens, magnetic macro lens and an extreme fisheye lens. With the flip out design, it makes it easy to choose a lens and lock it into place for those spontaneous picture moments.
The LED Ring Light is my favorite accessory as it allows you to illuminate your subjects in extremely low light situations. Additionally, it can be detached to give even more options of lighting your subject to create some really advanced smartphone photography. With adjustable temperature controls, 1/4-20 thread mount and various diffusers, this is definitely a useful accessory for multiple shooting environments.
Stay tuned for Part 2 where I take the Ztylus out on the field for some run and gun, videography and photography. Also click the banner to receive 25% OFF ALL ZTYLUS PRODUCTS with our special RUNPLAYBACK referral code. Hit me in the comments if you have any questions.